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New Artist Studio Show May 9th, 2008
Greenwich Studio Show


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You are cordially invited to an exhibition of oil paintings featuring
“Classic Yachts, Regattas, Venice, Ireland and More".
Kids and friends welcome

Friday, May 9th, 2008

5:00 to 8:00 PM
Show Hours: Sat. & Sun. 1-4 pm By appointment thru May 24
at
121 E. Middle Patent Rd.
Greenwich, CT 06831

Please R.S.V.P.
203 274 6176
“Greenwich Point" 20" x 40" oil on canvas

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New American Renaissance--Peter Layne Arguimbau-- By Linda Lyons
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NEW AMERICAN RENAISSANCE-- PETER LAYNE ARGUIMBAU-- A LUMINIST PAINTER
Linda Lyons


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Luminist Painting Techniques of the Artist

Luminist Painting Techniques of the Artist

Layne Arguimbau grinds his own pigments from powders, makes his own gesso grounds for panels and lead grounds for canvas and in addition adds his own hand-finishes to his frames to enhance the artistry of his compositions. He cooks his own oil-resinous mediums in the tradition of the Flemish Masters, presently using, such hard resins as amber, sandarac and colophony. Painting in a traditional north light studio, He is a light effect painter and considers himself a Luminist because of the rich luminous transparencies and brilliant light effects of his canvases.


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Delamar Invite
Greenwich Studio Show


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You are cordially invited to an exhibition of oil paintings featuring
“Classic Yachts, Regattas and Harbors”.
by Marine Artist
PETER LAYNE ARGUIMBAU
Thursday, October 25, 2007

5:00 to 8:00 PM
Wine & Cheese Reception
at
DELAMAR Greenwich Harbor
500 Steamboat Rd, Greenwich, CT

Please R.S.V.P. by Tuesday, October 23
to Daniela Forcher at 203.413.3599
“Classic Yachts, Regattas, and Harbors” • ‘The Power of JBoats, Valsheda Charging’

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Gathering Motifs, Sailing, Summer fun

There is something about sailing and painting on an old wooden catboat that has its charms especially bringing home the "Spirit of the Opera Cup " award.


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Newport Tall Ships Summer 2007 Poster Painting
Newport Tall Ships 2007 Poster Painting

PETER LAYNE ARGUIMBAU
Arguimbau was commissioned to paint Parade of Sail with Newport Harbor & Fort Adams for the Tall Ships Rhode Island 2007 poster painting and later to be auctioned off. VAdm. Thomas R. Weshler commissioned the artists after seeing a marine exhibit at The New York Yacht Club at Harbour Court, in Newport in 2005. The painting will be made into limited addition prints for sale to the public to benefit the Tall Ships Rhode Island


Gala and Auction, June 30, 2007
Parade of Ships

Limited Prints availible



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MICHELANGELO’S CLEANED OFF SISTINE CHAPEL
SCIENCE VS. ART -- WHAT A PRICE TO PAY

Have you ever felt that some things never change and remain an inspiration for all time? That was the divine inspiration of the Sistine Chapel, now stripped down with harsh chemicals and looking shockingly out of place.

The problem is artists are romantics and scientists are doubters and they fall at opposite ends of the human spectrum. Romantics try to see everything in a vale of beauty where scientists try to create a logical understanding of the world to make a safe place for them and others. One talks in abstractions and subjective feelings about warm fuzzy stuff and the other in mumbo-jumbo terms no one can understand. The object here is not to agree but to understand each other’s differences.


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The Art Of Street Painting

Madonarro is Italian for street painting or rather one who paints Madonnas for alms on the street. This art form was practiced in Italy from the fifteenth century. As a young artist, I traveled to Italy to learn how to draw from classical statuary. Instead, I learned to draw art on the street.

In Florence, I awoke each morning and hung out by the Uffizi, where I would draw portraits of the tourists for money. That freed up my afternoons to visit the many museums and do drawings after masterpieces in the Pitti Palace, the Academia, and the Uffizi. Six months of this, and I was sick of the tourists and the crowded museums. So I packed up my few belongings and headed for Rome.


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IMPRESSIONISM AND THE CHANGING OF THE OLD GUARD
IMPRESSIONISM AND THE CHANGING OF THE OLD GUARD
The Loss of Transparency and Brown Pigment Resulting from the Industrial Age

Never was there a force so dynamic as to crumble the foundation of art from the epicenter outwards as in France in the latter half of the nineteenth century. Pinioned on the crest of the Industrial Revolution, this force began as Impressionism and would take on many labels in directing the course of art, carrying with it an intellectual component that would maneuver beyond any obstacle in its path up to present time. It served to restructure man?s relationship with nature in the face of Industrialism.

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